'Search online for...' - The return of keywords in advertising

Hands up who remembers AOL keywords? Back in the late-90s / early naughties (when AOL was still spamming the world's letterboxes with CD-ROMs) it was commonplace to see an AOL keyword alongside, or occasionally in lieu of, a regular URL on marketing materials. Movie trailers and posters, in particular, would often carry them (see posters for 2001 box office stinkers Swordfish and 15 Minutes).

Fast forward to 2009 and search keywords in advertising seem to be experiencing something of a renaissance, although this time it's Google rather than AOL who are the go-to guys for finding stuff online. However, where AOL keywords were tightly controlled (check out the official Keyword Guidelines), keywords input into Google will return results entirely at the mercy of Google's special sauce search algorithms.

This presents a bit of a dilemma for marketeers; whilst inviting users to Google for your brand more closely mirrors online behaviours (80+ percent of online journeys start with a search), you don't have control over what appears on that results page.

The first URL-free ad I noticed recently encouraging users to search for a keyword was the Orange 'I Am Everyone' campaign, which boldly invited users to "search online for 'I am'", complete with magnifying glass icon (which seems to have inexplicably become the universally recognised symbol for search - I guessing either Microsoft or Apple is to blame...)



The problem was that the newly-created campaign site i-am-everyone.co.uk was decidedly short on Googlejuice (the top organic search result for 'I am' was i-am-bored.com on Google and i-amonline.com on MSN), forcing Orange to shell out for Sponsored Links (still live at the time of writing). Whether the additional cost of the Sponsored Links was offset by a greater response rate to the search-based call-to-action (or the insight they got from being able to more easily track the response rate) would be interesting to know (although the figures from Compete don't speak of a unqualified success).

The decision to promote keywords over a URL is probably easier when you feel confident of getting and retaining the top spot in organic search results. Tamlyn Rhodes points to More4 and Act On CO2 both using the 'search online for...' CTA; both having sufficiently distinctive names and Googled-up parent domains (channel4.com and direct.gov.uk) to ensure they secure the top spot. Warner Brothers also recently adopted the 'search for keyword' approach for elements of their Watchmen marketing campaign, banking on keeping the mighty IMDb off the top spot. Dyson went for belt and braces after its TV ad invited users to "Search online for dyson ball", taking a Sponsored Link as well as the top two organic search results.

Another example which recently caught my eye was the TV and poster campaign for Dido's forthcoming album, 'Safe Trip Home', which makes no mention of Dido and looks more like a movie campaign, inviting users to "view trailer now" by Googling for enigmatic keywords such as 'Lady Landfill', 'Mother Lay-By' and 'Blackeye Lashes'. What's interesting about this one is that the top matches are all YouTube videos which - YouTube being a Google property - get a thumbnail and visible rating; far more eye catching and inviting than your average search result. The video then directs users onwards to the official album site.



Despite the potential pitfalls of promoting search keywords in advertising, it seems likely to increase as marketers seek to respond to how users actually navigate to content online and counter the URL blindness which I'm certainly starting to suffer from. Just watch out for a resurgence of Google bombing/washing...

Holiday reading

Just returned from a week's holiday at the Likya Residence and Spa in Kalkan (thoroughly recommended if you're looking to get away from it all - see Flickr set) and thought it was high time I ended my three-month blogging hiatus with a gentle re-entry post. So, with a nod to Roo Reynolds, who's 'recent reading' post format I've cribbed, here are the books which kept me occupied on the sun lounger:

Case Histories by Kate Atkinson - probably not a book that I would have picked off the shelf in a bookstore (the cover gives some of the wrong signals - the likely subject of a future blog post), but a loan from my brother, whose literary recommendations I trust - a trust rewarded with a thoroughly engrossing novel exploring the universality of love and loss through a rich tapestry of interwoven narrative strands and the birth of an irresistible hero in the shape of private investigator Jackson Brodie. I already have the next in the series (One Good Turn) lined up on the shelf.

Candy Girl: A Year in the Life of an Unlikely Stripper by Diablo Cody - an eminently readable, if ultimately inconsequential, memoir from the writer of 2007 indie hit, Juno, which pretty much does what it says on the tin, serving up enough memorable characters and anecdotes to justify the 200+ pages.

Little Brother by Cory Doctorow - probably still best-known as co-editor of Boing Boing (but better known to me as Mr Alice Taylor), Cory conjures a hugely engaging narrator and protagonist in Marcus Yallow, a 17-year old tech-head, battling to outsmart the Department of Homeland Security as it clamps down on civil liberties in the wake of a major terrorist attack. The book was released under a Creative Commons Attribution-Noncommercial-ShareAlike license and can be downloaded from Cory's site. Go do it.